The Best LGBTQ+ Films of the Decade – ‘Big Picture Film Club’

‘If the 1990s gave us New Queer Cinema, and the 2000s gave us mainstream successes, like Brokeback Mountain (2005), then what did we find in the 2010s? Of course, more mainstream entries like Love, Simon (2018) or Dallas Buyers Club (2013). There was the return, whether we liked it or not, of Queer Eye (aptly dropping ‘For The Straight Guy’ from its title) which showed that LGBTQ+ centric content was on the minds of studio executives but that maybe they were still making the same mistakes.


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