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IN THE PIANO, JANE CAMPION AND HOLLY HUNTER NAVIGATE SILENCE – ‘THE SPOOL’
- In The Piano, Jane Campion and Holly Hunter navigate silence – ‘The Spool’by Jon Paul Roberts
- In Search of Lost Voices – ‘Hinterland’by Jon Paul Roberts
- On Life Writing – ‘Spread the Word’by Jon Paul Roberts
- Review: Cicada [London Film Festival] – ‘Big Picture Film Club’by Jon Paul Roberts
- Review: One Night in Miami [London Film Festival] – Big Picture Film Clubby Jon Paul Roberts
- Review: Kajillionaire [London Film Festival 2020] – ‘Big Picture Film Club’by Jon Paul Roberts
- Sex and the Single Woman: How An Unmarried Woman Changed the Game – ‘The Spool’by Jon Paul Roberts
- I gave up drinking and felt like I lost my queerness – ‘Metro UK’by Jon Paul Roberts
- Everything My Straight Friends Told Me About Sex Was Wrong – ‘Huffington Post UK’by Jon Paul Roberts
- On Gay Marriage – ‘The Doe’by Jon Paul Roberts
- Are Queer Coming Of Age Films Accurate Portrayals Of 2020 America? – ‘Brightest Young Things’by Jon Paul Roberts
- And Then We Danced, Robyn, and Music in Queer Cinema – ‘Big Picture Film Club’by Jon Paul Roberts
- The Problem with the Role of ‘The Wife’ in Movies like ‘Dark Waters’ – ‘Big Picture Film Club’by Jon Paul Roberts
- Birds of Prey & the Curse of Being Casually Queer – ‘Big Picture Film Club’by Jon Paul Roberts
- Cause of Death: An Autopsy of Romance – ‘Chester Debating Society’by Jon Paul Roberts
- It’s Time to Talk About Marielle Heller – ‘Big Picture Film Club’by Jon Paul Roberts
- Review: Bombshell – ‘Big Picture Film Club’by Jon Paul Roberts
- Review: Parasite – ‘Big Picture Film Club’by Jon Paul Roberts
- Dear Straight Actors Who Want To ‘Play Gay’: Don’t. – ‘Big Picture Film Club’by Jon Paul Roberts
- Dispelling the Myth: On art and the artist – ‘Chester Debating Society’by Jon Paul Roberts
- Sorry We Missed You: Film and The North – ‘Big Picture Film Club’by Jon Paul Roberts
- LFF Review: Monsoon – ‘Big Picture Film Club’by Jon Paul Roberts
- LFF Review: Honey Boy – ‘Big Picture Film Club’by Jon Paul Roberts
- Too Awkward For Love: Understanding The British Romantic Comedy – ‘Big Picture Film Club’by Jon Paul Roberts
- Review: The Farewell – ‘Big Picture Film Club’by Jon Paul Roberts
- Is Queer Autobiographical Cinema Subtly Political? – ‘Big Picture Film Club’by Jon Paul Roberts
- ‘Pain and Glory’: What makes us who we are? – ‘Storyhouse’by Jon Paul Roberts
- An LGBTQ+ Guide to Chester – ‘Storyhouse’by Jon Paul Roberts
- Letting the Vines Snap: On Animals (2019) and Friendship – ‘Sundance London’by Jon Paul Roberts
- We Are All Gloria Bell – ‘Storyhouse’by Jon Paul Roberts
- Howard Ashman: A Queer Legacy Not to be Forgotten – ‘Storyhouse’by Jon Paul Roberts
- How To: Keep Your Houseplants Alive (Without a Human Sacrifice) – ‘Storyhouse’by Jon Paul Roberts
- MPG – ‘Another North’by Jon Paul Roberts
- The Normal Heart: Learn from it and carry on the fight – ‘Please Know’by Jon Paul Roberts
- An Interview with Jon Paul Roberts – ‘Spread the Word’by Jon Paul Roberts
- Read: Jon Paul Robert’s Prize Winning Essay ‘1955-2012’by Jon Paul Roberts
- Gays on TV – ‘Please Know’by Jon Paul Roberts
- On How To Grow Up – ‘Please Know’by Jon Paul Roberts
- Review: Woundby Jon Paul Roberts
- Review: Real Man Adventuresby Jon Paul Roberts
- Review: The End of Eddyby Jon Paul Roberts
- You Can Have Tom – ‘The Glass Hive’by Jon Paul Roberts
- On Self Esteem and Sex – ‘The Glass Hive’by Jon Paul Roberts
- Emma Jane Unsworth – ‘Why do we do the things we do to each other?’ (Interview) – ‘In The Red 14’by Jon Paul Roberts
- James Rice – ‘A writer is a thing you can actually be.’ (Interview) – ‘In The Red 14’by Jon Paul Roberts
- To the Women I Have Known, and Will Know – ‘In The Red 14’by Jon Paul Roberts