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The Wild Woman – ‘Y Bala (2023) Exhibition Catalogue’
- The Wild Woman – ‘Y Bala (2023) Exhibition Catalogue’
- High-Rise explores stories of the class system in chaos – ‘The Spool’
- Mysterious Skin offers a sensitive view of sex & sex work – ‘The Spool’
- In The Piano, Jane Campion and Holly Hunter navigate silence – ‘The Spool’
- In Search of Lost Voices – ‘Hinterland’
- On Life Writing – ‘Spread the Word’
- Review: Cicada [London Film Festival] – ‘Big Picture Film Club’
- Review: One Night in Miami [London Film Festival] – Big Picture Film Club
- Sex and the Single Woman: How An Unmarried Woman Changed the Game – ‘The Spool’
- I gave up drinking and felt like I lost my queerness – ‘Metro UK’
- Everything My Straight Friends Told Me About Sex Was Wrong – ‘Huffington Post UK’
- Are Queer Coming Of Age Films Accurate Portrayals Of 2020 America? – ‘Brightest Young Things’
- LFF Review: Monsoon – ‘Big Picture Film Club’
- LFF Review: Honey Boy – ‘Big Picture Film Club’
- Review: The Farewell – ‘Big Picture Film Club’
- ‘Pain and Glory’: What makes us who we are? – ‘Storyhouse’
- An LGBTQ+ Guide to Chester – ‘Storyhouse’
- Letting the Vines Snap: On Animals (2019) and Friendship – ‘Sundance London’
- We Are All Gloria Bell – ‘Storyhouse’
- Howard Ashman: A Queer Legacy Not to be Forgotten – ‘Storyhouse’
- How To: Keep Your Houseplants Alive (Without a Human Sacrifice) – ‘Storyhouse’
- MPG – ‘Another North’
- An Interview with Jon Paul Roberts – ‘Spread the Word’
- Read: Jon Paul Robert’s Prize Winning Essay ‘1955-2012’
- Emma Jane Unsworth – ‘Why do we do the things we do to each other?’ (Interview) – ‘In The Red 14’
- James Rice – ‘A writer is a thing you can actually be.’ (Interview) – ‘In The Red 14’
Jon Paul Roberts 